Never say never again, I guess.
There is a Novas 6, which takes the story of the Novas a little further into the future, and I think concludes it, but for now I’m leaving the story details of that unsketched. All I’ll say is that Cat Stevens performed in New Zealand and that reminded me of the odd driving beat of Angelsea, which seemed to connect to the equally odd beat of Peter Gabriel’s Solsbury Hill, and then somehow I stumbled on Scriabin’s Preparation for the Final Mystery, and a musical line seemed to form between those two points.
And I thought that was that, but then a Cold War vibe seemed to keep creeping back into my head. And then: Stranger Things Season 3, which referenced both R.O.C.K. in the U.S.A. and Neverending Story…. and the often uncredited female singer on that one, Beth Andersen, also did Dance Dance Dance for Scarface (1983), and the riff seemed the same as something, but what? And suddenly: Squares And Triangles.
And so this one was constructed as a musical palindrome, to match that strange sense of parallelism and tension the Cold War gave us. Every track of the first ten matches another one counting from the other side. Here becomes There. Up becomes Down. But it requires an eleventh to unlock the final code.
In the context of the long-form fiction of Novas: I’ve coded it as 0.1, but it takes place before 0, just after 5.3. It is 1980. Jack is now an Agent for the Company, which gives him Simulation access and override privileges. Susan is a mere Asset, a disposable organic computing component, bound by the Simulation… which is currently running Cold War social research in an emulated USSR. The simulation involves the use of music for mass population mobilisation: the Company is trying to hack Russia over the radio. This is knowledge the Novas will later repurpose to their own ends.
Meanwhile Jack is assigned to spy on Susan, but ends up falling for her.Continue reading “Playlist Notes: Novas 0.1: The Clouds Run Parallel”